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Kill List

Kill List
Film Format: 
Wheatly, Ben
Neil Maskell
Film Reviews: 

Ben Wheatley’s self-funded debut feature ‘Down Terrace’ was an odd beast. It was hard to tell how much of the wordy, ultraviolent gangster comedy’s undeniable power was intentional and how much was derived from its micro-budgeted on-a-wing-and-a-prayer production. Well, here’s the answer: on the strength of ‘Kill List’, Wheatley might be the most idiosyncratic and exciting filmmaker the UK has produced since Shane Meadows.

Much of ‘Kill List’ will be familiar to anyone who caught ‘Down Terrace’ during its brief run last year: the semi-improvised dialogue and naturalistic performances, the close, documentary-style photography and the deep-seated sense of suburban moral decay. But it’s altogether more confident: where the earlier film leavened the darker moments with slapstick and satire, ‘Kill List’ is an unrelentingly grim ride into the bleakest imaginable terrain, its only humour black beyond belief…but the plot seems to follow a predictable template. Then something happens – no clues except to say that it involves a hammer – and ‘Kill List’ takes a sharp left-turn into no man’s land.

There will be some who find the resulting series of increasingly brutal and dreamlike events hard to process, and a number of plot points remain unexplained even as the credits roll. But allow the film to take hold and its power is inescapable: the effect is like placing your head in a vice and waiting as it inexorably closes.
It’s hard to remember a British movie as nerve-shreddingly effective since ‘Dead Man’s Shoes’ in 2004. Like that film, ‘Kill List’ may not make the impact it deserves upon initial release. But this is a grower, a film which lingers long in the memory: look for it on ‘Best of British’ lists for a long time to come.[Time Out]

Date Arrival: 
26 December 2011

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